Wonder at the Renwick Gallery
/One of the great joys of being in Washington DC for my sabbatical has been the opportunity to visit the fantastic museums of the Smithsonian. These treasures are free for all of us to enjoy, and it is a thrill to be able to visit these museums whenever time allows.
The Renwick Gallery is one of the Smithsonian museums, and is located across from the White House. It is a beautiful building that’s been closed for renovations for the last 3 years. I’d not known of it, but I have walked past the gallery each day on my way to the Corcoran and have been intrigued by the imposing facade. It was exciting to find out that the museum was to reopen on November 13. There was a lot of buzz about it, so I checked out its fascinating history and the opening exhibition, Wonder. While I was eager to see the exhibition, I waited until after the opening weekend to avoid the crowds.
My patience was rewarded! The magnificent sculptural installations that were commissioned for nine grand galleries were thrilling to move around and marvel at with just a few other visitors on a Tuesday afternoon. The name of the exhibition, Wonder, could not be more apt. The works are superb, and they make each of the gallery spaces a star attraction.
While photos cannot convey the impact of seeing these monumental works in person, I hope you will get a sense of the nine works — and perhaps be able to make a trip to Washington see them yourself. I hope you can make it before July 10, 2016, when the exhibition will close.
Tara Donovan’s intriguing landscape, ”Untitled”, is made of index cards!
”Plexus, A1“ by Gabriel Dawe is made of thread and is completely spellbinding.
Patrick Dougherty’s ”Shindig” is PHENOMENAL, and especially delightful because you can move into the forms he created with willow saplings.
Janet Echelman’s Suspended Woven sculpture, ”1.8” is in a gallery 100 feet long. It was inspired by the Tsunami in Japan in 2011. changing lights, and the shadows cast on the gallery walls, make it completely mesmerizing.
”Middle Fork”, by John Grade, was made by first creating a plaster cast of a tree, found IN THE CASCADE MOUNTAINS, that is the same age as the Renwick building. Then, a half-million segments of reclaimed cedar were carved and connected to make the new ”tree” from the cast. Amazing!
”Folding the Chesapeake” was created by Maya Lin, using marbles to shape rivers, fields, canyons and mountains in this gallery. IT is exquisite.
Leo Villareal’s ”Volume” sculpture is suspended above the great staircase and is ever-changing. It is coded so that the lighting sequences never repeat exactly as before.
"Anonymous donor" by Chakaia Booker is made with reworked RUBBER TIRES. She created fantastic textures and forms.
”In the midnight garden”, by Jennifer Angus, transports us into a magical and completely surprising space. Not only are the patterns on the walls made with actual insects (that are abundant in nature), the stunning pink wall color was derived from crushed insects.
